{"id":211,"date":"2017-10-24T18:59:00","date_gmt":"2017-10-24T17:59:00","guid":{"rendered":"http:\/\/yeah.filmkoopwien.at\/uncategorized\/hand-and-machine\/"},"modified":"2018-07-22T16:08:20","modified_gmt":"2018-07-22T15:08:20","slug":"hand-and-machine","status":"publish","type":"post","link":"https:\/\/www.filmkoopwien.at\/de\/hand-and-machine\/","title":{"rendered":"Hand and Machine &#8211; Richard Tuohy &#038; Dianna Barrie"},"content":{"rendered":"<p><span style=\"font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">We are happy to welcome Dianna Barrie and Richard Tuohy for a night of 16mm magic!<\/span><\/p>\n<div style=\"text-align: center;\"><a href=\"http:\/\/yeah.filmkoopwien.at\/wp-content\/uploads\/2017\/10\/posteralsbild.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/yeah.filmkoopwien.at\/wp-content\/uploads\/2017\/10\/posteralsbild-212x300.jpg\" width=\"226\" height=\"320\" border=\"0\" \/><\/a><\/div>\n<p style=\"layout-grid-mode: char; margin-bottom: 0cm; text-align: justify;\"><span style=\"font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">Cinema was the first inescapably mechanical art.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>But in this post-mechanical age, the traditional apparatus of cinema has all to rapidly been deemed obsolete and primitive. Yet the handing over of industrial machinery to anti-industrial users represents one of the prime creative opportunities for re-appraising and re-interpreting the nature of ourselves as transformed by the age of machines. <\/span><\/p>\n<p style=\"layout-grid-mode: char; margin-bottom: 0cm; text-align: justify;\"><span style=\"font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">Post mechanical age, the humanness of the machine can be made evident. Post mechanical age, machine craft is the new hand craft. This program presents seven recent film works from Australian diy cine experimentalists Richard Tuohy and Dianna Barrie exploring the primitive apparatus of cinema and the relation between hand and machine.<b> <\/b><\/span><\/p>\n<div style=\"layout-grid-mode: char; margin-bottom: 0cm;\"><\/div>\n<div style=\"layout-grid-mode: char; margin-bottom: 0cm;\"><\/div>\n<div style=\"layout-grid-mode: char; margin-bottom: 0cm; mso-line-height-alt: 5.0pt;\"><b><span style=\"font-family: Akkurat-Light;\">Ginza Strip<\/span><\/b><\/div>\n<div style=\"margin-bottom: 0cm; mso-line-height-alt: 5.0pt;\"><span style=\"font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">2014, 9 minutes, 16mm, Richard Tuohy and Dianna Barrie<\/span><\/div>\n<div style=\"layout-grid-mode: char; margin: 0cm 38.9pt 0cm 0cm;\"><span style=\"font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">\u00a0<\/span><\/div>\n<div style=\"layout-grid-mode: char; margin: 0cm 38.9pt 0cm 0cm;\"><b><span style=\"font-family: Akkurat-Light;\">Etienne\u2019s Hand <\/span><\/b><\/div>\n<div style=\"layout-grid-mode: char; margin: 0cm 38.9pt 0cm 0cm;\"><span style=\"font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">2011, 13 minutes, 16mm, Richard Tuohy<\/span><\/div>\n<div style=\"layout-grid-mode: char; margin: 0cm 38.9pt 0cm 0cm;\"><span style=\"font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">\u00a0<\/span><\/div>\n<div style=\"layout-grid-mode: char; margin-bottom: 0cm;\"><b><span style=\"font-family: Akkurat-Light;\">Crossing<\/span><\/b><\/div>\n<div style=\"layout-grid-mode: char; margin-bottom: 0cm; mso-line-height-alt: 5.0pt;\"><span style=\"font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">Richard Tuohy 2016 16mm 11 min<\/span><\/div>\n<div><\/div>\n<div style=\"layout-grid-mode: char; mso-line-height-alt: 5.0pt;\"><b><span style=\"font-family: Akkurat-Light;\">Last Train<\/span><\/b><\/div>\n<div style=\"layout-grid-mode: char; mso-line-height-alt: 5.0pt;\"><span style=\"font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">2016, 12 minutes, 16mm, Dianna Barrie and Richard Tuohy<\/span><\/div>\n<div style=\"layout-grid-mode: char; mso-line-height-alt: 5.0pt;\"><\/div>\n<div style=\"layout-grid-mode: char; mso-line-height-alt: 5.0pt;\"><b style=\"mso-bidi-font-weight: normal;\"><\/b><b style=\"mso-bidi-font-weight: normal;\"><span style=\"font-family: Akkurat-Light;\">Pancoran<\/span><\/b><\/div>\n<div style=\"layout-grid-mode: char; margin-bottom: 0cm; mso-line-height-alt: 5.0pt;\"><span style=\"color: black; font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">2017, 9 minutes, 16mm, Richard Tuohy and Dianna Barrie<\/span><\/div>\n<div><\/div>\n<div style=\"layout-grid-mode: char; margin-bottom: 0cm; mso-line-height-alt: 5.0pt;\"><b style=\"mso-bidi-font-weight: normal;\"><span style=\"font-family: Akkurat-Light;\">Seoul Electric<br \/>\n<\/span><\/b><span style=\"font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">2012, 7 minutes, 16mm, Richard Tuohy<br \/>\n<\/span><\/div>\n<div><\/div>\n<div style=\"layout-grid-mode: char; margin-bottom: 0cm; mso-line-height-alt: 5.0pt;\"><b><\/b><b><span style=\"color: black; font-family: Akkurat-Light;\">Blue Line Chicago<\/span><\/b><span style=\"color: black; font-family: Akkurat-Light;\"><br \/>\n<\/span><span style=\"color: black; font-family: Akkurat-Light; font-size: 9.0pt; mso-bidi-font-size: 10.0pt;\">2014, 10 min, 16mm, Richard Tuohy and Dianna Barrie<\/span><span style=\"color: black; font-family: Akkurat-Light;\"><br \/>\n<\/span><\/div>\n<div><\/div>\n<div style=\"layout-grid-mode: char; margin-bottom: 0cm; mso-line-height-alt: 5.0pt;\"><span style=\"color: black; font-family: Akkurat-Light;\"><b>Inside the Machine<\/b><\/span><\/div>\n<div style=\"layout-grid-mode: char; margin-bottom: 0cm; mso-line-height-alt: 5.0pt;\"><span style=\"color: black; font-family: Akkurat-Light;\">2016, 12 minutes, 3 x 16mm, Richard Tuohy and Dianna Barrie<\/span><\/div>\n<h1><\/h1>\n<p style=\"margin-left: 0cm; mso-list: l0 level1 lfo1; text-indent: 0cm;\"><span style=\"color: black; font-family: Akkurat-Light;\">Pay as you wish.<br \/>\nFilmmakers in attendance.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are happy to welcome Dianna Barrie and Richard Tuohy for a night of 16mm magic! Cinema was the first inescapably mechanical art.\u00a0 But in this post-mechanical age, the traditional apparatus of cinema has all to rapidly been deemed obsolete and primitive. Yet the handing [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":312,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"_links":{"self":[{"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/posts\/211"}],"collection":[{"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/comments?post=211"}],"version-history":[{"count":1,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/posts\/211\/revisions"}],"predecessor-version":[{"id":835,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/posts\/211\/revisions\/835"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/media\/312"}],"wp:attachment":[{"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/media?parent=211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/categories?post=211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/tags?post=211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}