{"id":220,"date":"2016-09-01T19:06:00","date_gmt":"2016-09-01T18:06:00","guid":{"rendered":"http:\/\/yeah.filmkoopwien.at\/uncategorized\/screening-series-3\/"},"modified":"2018-07-22T16:16:02","modified_gmt":"2018-07-22T15:16:02","slug":"screening-series-3","status":"publish","type":"post","link":"https:\/\/www.filmkoopwien.at\/de\/screening-series-3\/","title":{"rendered":"Screening series filmkoop Vienna III\/V."},"content":{"rendered":"<div dir=\"ltr\" style=\"text-align: left;\">\n<div style=\"clear: both; text-align: center;\"><span style=\"font-size: small;\">\u00a0<\/span><\/div>\n<div style=\"clear: both; text-align: center;\"><span style=\"font-size: small;\"><a style=\"margin-left: 1em; margin-right: 1em;\" href=\"http:\/\/yeah.filmkoopwien.at\/wp-content\/uploads\/2016\/09\/Flyer_montreal02.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/yeah.filmkoopwien.at\/wp-content\/uploads\/2016\/09\/Flyer_montreal02-300x212.jpg\" width=\"400\" height=\"281\" border=\"0\" \/><\/a><\/span><\/div>\n<p><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><b>\u00a0<\/b><\/span><\/p>\n<div style=\"text-align: justify;\">\n<p><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\">filmkoop wien started a screening series and invites international artists and filmmakers to present their works at filmkoop wien. Each screening is curated by a different member.<\/span><\/p>\n<p>For September&#8217;s screening filmkoop wien-member Stefanie Weberhofer invites <b>Sonya Stefan<\/b> from Montreal with the film program\u00a0<b>Hybridity and the Performative Hand-made: Montreal Independent Cinema:<\/b><\/p>\n<\/div>\n<div style=\"text-align: justify;\"><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><br \/>\n<\/span><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\">Sonya Stefan presents current Montreal filmmakers and video creators who are exploring hybrid techniques and the hand-made. Each artist defines their own unique process, either by hands-on film\/video manipulation or via performance-based techniques such as Hamish Fulton-esque walking trajectories shot along a man-made path leading to a lake. Experimental and animation works make up this program.<\/span><\/div>\n<div><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\">\u00a0<\/span><\/div>\n<div><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\">Monday, 12.09.2016, 7 pm<br \/>\nfilmkoop wien<br \/>\nWickenburggasse 15\/3\/1B, 1080 Wien<\/span><\/div>\n<p><span style=\"font-size: small;\"><b><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif;\"><br \/>\n<\/span><\/b><\/span><span style=\"font-size: small;\"><b><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif;\"><br \/>\n<\/span><\/b><\/span><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><b>Program: Film &amp;\u00a0Videos<\/b><\/span><\/p>\n<p>Mandi Morgan\/Boreal<br \/>\nAnimation\/Digital\/Color\/Stereo\/2015\/11m22<br \/>\nWorking with paper cutout animation, Mandi Morgan creates a non-linear allegorical tale depicting the vulnerable tensions between wildlife and human destruction.<br \/>\n<span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><br \/>\n<\/span><span style=\"font-size: small;\"><b><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif;\">Alisi Telengut \/Nutag-Homeland<br \/>\nAnimation\/Color\/Stereo\/2016\/ 6 min<\/span><\/b><\/span><br \/>\n<span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\">Oil pastel on one piece of paper, under-camera animation, frame by frame, shot on digital. A non-narrative hand-painted visual poem about diaspora, homeland, and the tragic mass-deportations of the Kalmyk people during WWII.<\/span><br \/>\n<span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><br \/>\n<\/span><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><b>Guillaume Vall\u00e9e\/The Yellow Ghost<br \/>\n16mm to digital\/color\/Stereo\/2014\/3m30<\/b><br \/>\nCameraless film created with found footage of a nightmarish dream.<\/span><br \/>\n<span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><br \/>\n<\/span><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><b>Phillippe Leonard\/[T]<br \/>\nHD\/Color\/Stereo\/2015\/12min\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/b><br \/>\nPhilippe Leonard shot the footage for this remarkable work at Times Square, in New York City, during the hours of artificial illumination. Partly for this reason, it is an oneiric diary, tempted by myth and, at the same time, suffused by a melancholy sense that myth has lost its magical power.<\/span><br \/>\n<span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><br \/>\n<\/span><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><b>Guillaume Vall\u00e9e\/Le bulbe tragique<br \/>\n16mm to digital\/Color\/2016\/6min\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/b><br \/>\nEphemeral traces of nothingness &#8211; Rotoscoping farmers, crumbling churches, dying memories as hand-painted layers, decay &amp; collage on film emulsion as incidental traces of nothingness. A work that is aware of his own mechanisms.<\/span><br \/>\n<span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><br \/>\n<\/span><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><b>Sonya Stefan\/Echo<br \/>\n16mm\/Color\/Stereo\/2012\/9min<\/b><br \/>\nSeparated by four sections,\u00a0this dance film embraces the unpolished aesthetic of contact-printed color film stock and various\u00a0re-photographic techniques such as reversal color film stock, homemade filters and light manipulations.<\/span><br \/>\n<span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><br \/>\n<\/span><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><b>Vitalyi Bulychev &amp; Sonya Mladenova\/Lapses of Attention<br \/>\nSuper8 \/B&amp;W\/2015\/ 3min\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/b><br \/>\nThis film was made for the One Take Super8 event; it was shot over the course of four hours. The film documents a meditation session. The participant, and co-director of the film, Sonya Mladenova recorded the audio afterwards\u00a0in a hypnotic state, attempting to replicate the fleeting thoughts and impressions during her meditation.<\/span><br \/>\n<span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><br \/>\n<\/span><span style=\"font-family: 'helvetica neue' , 'arial' , 'helvetica' , sans-serif; font-size: small;\"><b>Alexandre Larose\/brouillard #14<br \/>\n35mm to digital\/color\/silent\/2013\/10min<\/b><br \/>\na trajectory that extends from my family&#8217;s house into a lake, layered multiple times, in-camera<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 filmkoop wien started a screening series and invites international artists and filmmakers to present their works at filmkoop wien. Each screening is curated by a different member. For September&#8217;s screening filmkoop wien-member Stefanie Weberhofer invites Sonya Stefan from Montreal with the film program\u00a0Hybridity [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":333,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"_links":{"self":[{"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/posts\/220"}],"collection":[{"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/comments?post=220"}],"version-history":[{"count":1,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/posts\/220\/revisions"}],"predecessor-version":[{"id":850,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/posts\/220\/revisions\/850"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/media\/333"}],"wp:attachment":[{"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/media?parent=220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/categories?post=220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmkoopwien.at\/de\/wp-json\/wp\/v2\/tags?post=220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}